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The performers were Melise Mellinger (violin), Barbara Maurer (viola), Åsa Åkerberg (cello) and Jean-Pierre Collot (piano).\n\t\n\t\tPerformance Notes\n\t\u003cul\u003e\n\t\t\n\t\t\tThe trills are always semi-tones unless marked with a sharp sign indicating a whole-tone trill.\n\t\t\n\t\t\tAccidentals are per bar in the whole score.\n\t\t\n\t\t\tThe metronome marks are only suggestions and may be varied.\n\t\u003c\/ul\u003e\n\t\n\t\tString instruments\n\t\n\t\tThe use of romantic vibrato is a very essential part of the mood of this composition. Still, it is advisable to save some vibrato for the places that the player finds musically and emotionally very important by playing some notes completely without vibrato as well. For example, long notes starting from a very quiet dynamic, and melodies accompanying something more prolific in another instrument are best played cooler to add some transparency to the performance.\n\t\n\t\tPiano\n\t\n\t\tPedalling:\n\t\u003cul\u003e\n\t\t\n\t\t\tThe use of the pedal in this piece comes from romantic piano literature. The pedallings are mostly marked, but the player should be encouraged to listen delicately to the pedallings and use variants of different kinds of pedallings according to their musical taste. Special attention should be taken to the places where the pedal should be kept pressed to increase the duration of the sound over the rests or empty bars.\n\t\t\n\t\t\tMarking conPed indicates a completely free use of pedal suitable to the harmony and melodic figures. The choice of using una corda is free.\n\t\u003c\/ul\u003e\n\t\n\t\tExtended playing techniques in piano part:\n\t\u003cul\u003e\n\t\t\n\t\t\tCrossed note-heads: Damp the strings with the palm (or finger tips, depending on the build of the grand piano) very close to the keyboard end of the strings. 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Whether a lone iceberg, large chunks breaking off from the fragile edge of a glacier, or the crackle of an ice field melting in the sun, the imaginary realisation of the sounds generated by the moving ice drove the conceptualisation of the piece. Its structure arises from the use of three photographs taken during a recent visit to Greenland; a single image forming the motivation behind each movement.\u003c\/p\u003e\n\n\u003cp\u003e\tBrittle, splintering ice is the state from which the first movement finds its timbral character. Focusing on colour, I reimagined the sound of the cracking ice, slowly floating in the sound from the face of the glacier. Techniques including tremolo, col legno and pizzicato are used by the strings to create the unique texture of the material. Slowly disintegrating in the glistening sun, sparks are heard as the ice cracks within, becoming weaker and ever more fragile. The feeling of being trapped - alluding to the molecules within smaller icebergs - is achieved by encapsulating the music in a high register and progressing very slowly harmonically. Active yet muted, the music is in constant motion but at an inherently slow rate.\u003c\/p\u003e\n\n\u003cp\u003e\tA majestic, lone iceberg inspired the second movement, the melodic core of the work, which sees solos moving upwards through the strings, floating powerfully and majestically unaccompanied. The structure was shaped by the traced outline of the iceberg itself. By analogy, smooth and freely sculpted by the wind, the music is supported by a secure steady bass, resonating in the chunky block chords of the piano in the latter part of the movement.\u003c\/p\u003e\n\n\u003cp\u003e\tVaried and unpredictable, the final movement is located within the highly energised, at times threatening, environment of an ice field. The passage shifts between blocks of material representing different physical states: firstly, bright, active and alert, the music is tossed between ice forms. The second is shockingly rigid, as if trapped in a block of ice: tight, high tension polyrhythmic and staccato. An eerie stillness characterises the third state, as if from somewhere distant, trills, and oscillations quietly fill the air. The fourth is very lively, once again within the ice field. Each time material recurs the order constantly varies, heard from a different perspective.\u003c\/p\u003e\n\n\u003cp\u003e\t- Charlotte Bray\u003c\/p\u003e\n\n\u003cp\u003e\tPerformance Notes\u003c\/p\u003e\n\n\u003cp\u003e\tString indications and bowings are suggestions only.\u003c\/p\u003e\n\n\u003cp\u003e\tDuration: 13 minutes\u003c\/p\u003e","brand":"Birdsong","offers":[{"title":"Default Title","offer_id":46991481438370,"sku":"DSM-FB-43122","price":43.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1279\/2287\/files\/73b12115-726d-4fb8-a886-9eb410c65c3c.jpg?v=1776210411"},{"product_id":"replay-piano-quartet-digital-download","title":"Replay - Piano Quartet (Digital Download)","description":"\u003cp\u003eReplayby Charlotte Bray for Violin, Viola, Cello and Piano.\u003c\/p\u003e\n\n\u003cp\u003e\tThis work was composed in 2010 and first performed on 30 June 2011 at Parabola Arts Centre, Cheltenham, UK, by Alexandra Wood (violin), Cian ODuill (viola), Robin Michael (cello) and Huw Watkins (piano).\u003c\/p\u003e\n\n\u003cp\u003e\tCommissioned by the Royal Philharmonic Society as a result of the 2010 Susan Bradshaw Composers Fund Prize.\u003c\/p\u003e\n\n\u003cp\u003e\tProgramme Notes\u003c\/p\u003e\n\n\u003cp\u003e\tAs if engaged in an intimate conversation, agile cantabile lines are woven quietly together to form the opening of Replay. This is the first of three contrasting musical identities that the piece travels through before returning to a variation of each. The music flows constantly between these idiosyncrasies.\u003c\/p\u003e\n\n\u003cp\u003e\tThe structure was prompted by images of spherical trigonometry. The second section is dark, rough and earthy. A low, rumbling piano line sits under the strings that, in rhythmic unison, build the tension with syncopated patterns. Repetitive staccato gestures in the piano cut through, joined shortly after by the cello playing pizzicato.\n\u003cbr\u003e\t\n\u003cbr\u003e\tWhile these elements continue underneath, a tender solo violin line takes centre stage, preceding an intense third section, extreme in terms of register and dynamic, made up of syncopated riff-based variations. Gradually falling back into the weightless graceful material of the opening, the replay begins, with each section recognisable in character but distinctly different in its re-appearance.\u003c\/p\u003e\n\n\u003cp\u003e\t- Charlotte Bray\u003c\/p\u003e\n\n\u003cp\u003e\tPerformance Notes\u003c\/p\u003e\n\n\u003cp\u003e\tThe string marking half col legno means to play with both wood and hair of the bow, with a spiccato bow stroke.\u003c\/p\u003e\n\n\u003cp\u003e\tDuration: 10 minutes\u003c\/p\u003e","brand":"Birdsong","offers":[{"title":"Default Title","offer_id":46991481700514,"sku":"DSM-FB-43550","price":43.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1279\/2287\/files\/f7fd87bb-ce31-4a59-a3b6-1e40d6575ae1.jpg?v=1776210412"},{"product_id":"a-day-at-the-spa-saxophone-quartet-digital-download","title":"A day at the spa - Saxophone Quartet (Digital Download)","description":"\u003cp\u003eThe score and parts to A Day At The Spa, composed by Oliver Leith for saxophone quartet in digital sheet music format.\u003c\/p\u003e","brand":"Faber Music","offers":[{"title":"Default Title","offer_id":46991743647906,"sku":"DSM-FB-50624","price":70.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1279\/2287\/files\/6c0a0979-8114-489a-8e64-0cf9f0d4f0e0.jpg?v=1776213974"},{"product_id":"trombone-quartet-trombone-quartet-digital-download","title":"Trombone Quartet - Trombone Quartet (Digital Download)","description":"\u003cp\u003eTrombone QuartetOp. 7 for Trombone Quartet by Richard Dubugnon\u003c\/p\u003e\n\n\u003cp\u003e\tDuration: 15 minutes\u003c\/p\u003e","brand":"Birdsong","offers":[{"title":"Default Title","offer_id":46991743713442,"sku":"DSM-FB-52129","price":39.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1279\/2287\/files\/1bb19088-802a-4ee7-a23f-055a7008d1a3.jpg?v=1776213973"},{"product_id":"caprice-no-12-cello-quartet-digital-download","title":"Caprice No.12 - Cello Quartet (Digital Download)","description":"\u003cp\u003eThe digital sheet music to Caprice No.12 written by Alfredo Piatti and arranged by Simon Parkin for cello quartet.\u003c\/p\u003e","brand":"Faber Music","offers":[{"title":"Default Title","offer_id":46991744270498,"sku":"DSM-FB-39899","price":23.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1279\/2287\/files\/cb5116fb-6b17-4cc7-9fe4-5149baba5a34.jpg?v=1776834250"},{"product_id":"bet-ha-chaim-piano-quartet-digital-download","title":"Bet Ha-Chaim - Piano Quartet (Digital Download)","description":"\u003cp\u003eBet Ha-Chaimfor Piano, Violin, Viola and Cello by Olivia Belli\u003c\/p\u003e\n\n\u003cp\u003e\tProgramme Notes\u003c\/p\u003e\n\n\u003cp\u003e\tInspired by the ancient Jewish Cemetery of Pesaro, Bet Ha-Chaim means House of Life, precisely to underline that our most precious, lasting and intimate nature is the spiritual one. We are embodied in a spirit. - Olivia Belli\u003c\/p\u003e\n\n\u003cp\u003e\tDuration: 4 minutes 30 seconds\u003c\/p\u003e","brand":"Birdsong","offers":[{"title":"Default Title","offer_id":46991744303266,"sku":"DSM-FB-51672","price":11.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1279\/2287\/files\/ed55e726-1a56-4890-9a4d-70e2215cb9f1.jpg?v=1776213976"},{"product_id":"frater-piano-quartet-digital-download","title":"Frater - Piano Quartet (Digital Download)","description":"\u003cp\u003eFraterfor Piano, Violin, Viola and Cello by Olivia BellI\u003c\/p\u003e\n\n\u003cp\u003e\tProgramme Notes\u003c\/p\u003e\n\n\u003cp\u003e\tFrater is inspired by the Covent of San Francesco in Venarotta, a monastery, much-desired by St. Francis when he visited the areas of Ascoli Piceno. A place of recollection, dialogue and brotherhood where I have the opportunity to devote time to the perception of my spiritual side, the most precious we have. - Olivia Belli\u003c\/p\u003e\n\n\u003cp\u003e\tDuration: 4 minutes\u003c\/p\u003e","brand":"Birdsong","offers":[{"title":"Default Title","offer_id":46991744467106,"sku":"DSM-FB-51694","price":11.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1279\/2287\/files\/b6b54fb0-fb6a-4ff2-a5fa-5f73b3fd7f72.jpg?v=1776213976"},{"product_id":"valadier-piano-quartet-digital-download","title":"Valadier - Piano Quartet (Digital Download)","description":"\u003cp\u003eValadierfor Piano, Violin, Viola and Cello by Olivia Belli\u003c\/p\u003e\n\n\u003cp\u003e\tProgramme Notes\u003c\/p\u003e\n\n\u003cp\u003e\tInspired by the homonymous sanctuary in Genga, Valadier is a place of pilgrimage where many seek silence, introspection and spiritual growth. It is the place where I go to practise seeing what is real but invisible. - Olivia Belli\u003c\/p\u003e\n\n\u003cp\u003e\tDuration: 4 minutes\u003c\/p\u003e","brand":"Birdsong","offers":[{"title":"Default Title","offer_id":46991744729250,"sku":"DSM-FB-51673","price":11.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1279\/2287\/files\/c9e0c332-8d33-4641-a639-5aadbc5c1af4.jpg?v=1776213974"},{"product_id":"sibyl-piano-quartet-digital-download","title":"Sibyl - Piano Quartet (Digital Download)","description":"\u003cp\u003eSibylfor Piano, Violin, Viola and Cello by Olivia Belli\u003c\/p\u003e\n\n\u003cp\u003e\tProgramme Notes\u003c\/p\u003e\n\n\u003cp\u003e\tSibyl is the last song of my album Intermundia, the end of a journey which goes from darkness to light, from the gravity of material life to the bliss and perfection of the spiritual life. A journey that finds its maximum expression on my way to the top of Monte Sibilla which inspired this track. The mountain has always embodied the symbol that creates the union between heaven and earth, a religious symbol both as a place of asceticism, where to find divinity, where rising to heaven means detaching oneself from earthly things. In their silence, we can grasp the sense of our smallness and the infinite dimension of our soul. - Olivia Belli\u003c\/p\u003e\n\n\u003cp\u003e\tDuration: 4 minutes 45 seconds\u003c\/p\u003e","brand":"Birdsong","offers":[{"title":"Default Title","offer_id":46991745089698,"sku":"DSM-FB-51699","price":11.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1279\/2287\/files\/c4bf794c-e312-43b1-90c4-a1b9b5da7bae.jpg?v=1776213978"},{"product_id":"infinite-wave-guitar-quartet-digital-download","title":"Infinite Wave - Guitar Quartet (Digital Download)","description":"\u003cp\u003eInfinite Wavefor Guitar Quartet by Marco Galvani\u003c\/p\u003e\n\n\u003cp\u003e\tCommissioned by Quartet Malamatina with support from Creative Scotland and first performed on 3 March 2023 by Quartet Malamatina at Stevenson Hall, Glasgow\u003c\/p\u003e\n\n\u003cp\u003e\tProgramme Notes\u003c\/p\u003e\n\n\u003cp\u003e\tInfinite Wave was inspired by an artwork of the same title by the Japanese artist Takayuki Yoshida. I became aware of his work during lockdown, and his miniature canvases immediately appealed to me. Often no more than a few centimetres in size, these pieces use a technique of painting where individual brushstrokes are interlaced in an infinitely repeating pattern, creating coherence and a sense of meditative ease to the work. This piece was intended to be an evocation of this feeling, with the individual flowing arpeggios of the beginning interacting in different ways between the four guitar parts, with melodic fragments introducing further colour to the landscape. From the first discussions around this commisison with Quartet Malamatina, I was convinced that I wanted to write an unfolding single-movement piece, and the stimulating situation of four of the same instrument encouraged me to inhabit a mode of composition centred around repetition and variation, so as to highlight the similarities and contrasts in tone of the instruments, as well as creating a time-scale that draws the listener on a continuous journey.\u003c\/p\u003e\n\n\u003cp\u003e\t\u003c\/p\u003e\n\n\u003cp\u003e\tI am very grateful to Quartet Malamatina for commissioning this piece, and for their collaboration throughout the process of developing material. I am also grateful to Creative Scotland for their support of this commission. 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