Description
Oskar Rieding’s Concertino op. 21 uses 1st and 3rd position exclusively. Hungarian echoes in the Andante sostenuto on the high and low strings of the violin and extensive semiquaver (sixteenth-note) passages in the Allegro moderato require basic dexterity in the left hand combined with frequent use of accented bowing in the right hand. The edition contains a solo violin part and a piano reduction for the accompanist.