The world-famous pianist Andras Schiff, a most familiar name to Bach fans on account of his complete recordings of Bach’s piano works, has provided fingerings for both parts of the Well-Tempered Clavier. He discusses aspects of performance practice in a detailed preface. The basis for the musical text was Henle's revised edition of Part I published in 1997 and Yo Tomita’s brand new revision of Part II (spring 2007). The eminent Bach scholar Tomita discusses the complicated source situation of Part II in an extensive preface. A detailed commentary rounds off the edition.
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,Contents:
,Prelude and Fugue BWV 870; ,Prelude and Fugue BWV 871; ,Prelude and Fugue BWV 872; ,Prelude and Fugue BWV 873; ,Prelude and Fugue BWV 874; ,Prelude and Fugue BWV 875; ,Prelude and Fugue BWV 876; ,Prelude and Fugue BWV 877; ,Prelude and Fugue BWV 878; ,Prelude and Fugue BWV 879; ,Prelude and Fugue BWV 880; ,Prelude and Fugue BWV 881; ,Prelude and Fugue BWV 882; ,Prelude and Fugue BWV 883; ,Prelude and Fugue BWV 884; ,Prelude and Fugue BWV 885; ,Prelude and Fugue BWV 886; ,Prelude and Fugue BWV 887; ,Prelude and Fugue BWV 888; ,Prelude and Fugue BWV 889; ,Prelude and Fugue BWV 890; ,Prelude and Fugue BWV 891; ,Prelude and Fugue BWV 892; ,Prelude and Fugue BWV 893
